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When school teachers were protesting outside the Escher Museum in the Hague, there were no menacing men in unifꦚorm swinging batons, and no spectre of violence haunting the gathering
BY Syed Saad Ahmed 🐈 21 June 2020
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The directo෴r of ‘We Have Boots’ talks about his film o🔯n the pro-democracy protests in Hong Kong
BY Syed Saad Ahmed ᩚᩚᩚᩚᩚᩚᩚᩚᩚ𒀱ᩚᩚᩚ 20 June 2020
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In conversation with Arun Karthick, whose movie ‘Nasir’ won the NETPAC award at the International Film Festival of Rotte𝓡rda✅m (IFFR) 2020
BY Syed Saad Ahmed ♔ 5 June 2020 🎶
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At 85, Ruskin Bond’s penchant for walking has diminished, but his pen is as prodigious as ever. Comfortably ensconced in his cottage at Landour, the much-adored author reveals how he makes the mundane interesting, his fondness for naps and wrestling, ꦡand the book he reads the most.
BY Syed Saad Ahmed 🌊 🦩 17 April 2020
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Independent filmmakers from Bihar and eastern UP are breaking away from cinematic conventiꦫons of the region’s film industry and exploring diverse stories
BY Syed Saad Ahmed 🦹 13 March 2020
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She did not have money to pay her husband’s medical bills and was sent to prison for defaulting on loans, but homemaker Revathi Roy wrestled against t🎐he setbacks to found three startups. Her lat♏est, Hey Deedee, is an all-women delivery service.
BY Syed Saad Ahmed 6 Mar🍷ch 2020
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Cogent issues are broached, but a proper resolution is hampereꦡd by dithering positions
BY Syed Saad Ahmed ⛄ 18 Dece🍎mber 2019
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Twenty years after the ghas✅tly murder of her husband, the missionary Graham Staines, Gladys has forged a new life—as a nurse and doting grandmother—in Australia.
BY Syed Saad Ahmed ও 🃏 30 October 2019
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The extraordinarily salty water body packs many🅺 a pleasurable — and painful — punch
BY Syed Saad Ahmed ꧙ ♈ 30 October 2019
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