V O Chidambaram Pilla🍨i took on the mighty British Indian Navigation Company by floating the Swadeshi Steam Navigation Company. His struggle is the story of the early days of the Indian freedom movement in miniature
P.a. Krishnan
Editor
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Aurangzeb in Indira Parthasarathy’s play wants to make India into an indistinguꦍishable whole. The India of his dream is ‘one country, one language and one religion’.
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Was Rajaraja, the imperi൲al Chola king, now better known as Ponniyin Selvan, t🗹hanks to Mani Ratnam’s grand film, a Hindu?
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Our classical texts are replete with many different examples of friendships, from Andal to Kamban, Valmiki to Gha♈lib
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Our history books have to do justice to every region of India — but only for the sa🃏ke of truth aꦰnd for acquiring a balanced knowledge of our great land
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In this concluding volume of his sympathetic biography of the RSS icon, Vikram Sampath focuses on the Hindu Mahasabha’s role in the freedom movement and the Gandh𝕴i murder trial.
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Not the ‘LA International Airport’ of Susan Raye fame. The only sound was of the trolle𝐆y wheels. 'We are in a deep hole,' said the lady at the counter. 'How’s India doing?' Well…
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This tribute to lower cas🍰te Mrdangam makers, who had an unequal relationship with Brahmin artistes, is an important sociꦑal history of music
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A Tamil classic doesn’t extol the central act of class violence; it speaks of life and 𝔉futility
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T🌼he winds are favourable...Savarkar is enveloped in a biographic embrace. Sampath is digressively elaborate; Purꦛandare is concise and critical. Both are sympathetic.
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