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Arcadian Voice: Finding Hidden And Neglected Stories In Telangana And Andhra Pradesh

Once a cartoonist and editor, Shyam Mohan has dedicated his life to a YouTube channel that brings forth issues and ache𓆉ivements from tribal and Dalit villages of the twin southern states

A🍌rcadian Voice: Finding Hidden And Neglected Stories In Telangana And Andhra Pradesh
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Kothagudem-based Adilaxmi matches her mechanic hus­b­and’s skills in repairing tubes and tyres of two/three/four whe­elers, trucks, earth movers and tippers. There’s Komera Jaazi, an Ayurvedic practitioner who cultivates sorghum on a one-acre field as manna meant for sparrows that are fast becoming extinct since cell phone towers cropped up in this corner of 💯Andhra. Locals in Chintoor, East God­a­vari District, swear by a medicinal oil with secret ingredients that delays greying of hair.

These and other similar vignettes—of attempts at agrarian inventions or pure jugaad from And­hra Pradesh and Telangana’s hinterlands—are rak­ing up likes and comments after getting featu­red as vlogs on Rural Media, a YouTube channel by award-winning journalist Shyam Mohan. Bef­ore this, the 55-year-old Hyderabadi was a cart­o­o­nist whose illustrations featured in inter­n­ational journals Entwicklungspolitik and Wende­kreis, followed by stints at the edit desk of  two mainstr­e­am Telugu newspapers. But in 2009, he quit leg­acy media after multiple instan­ces of his tribal and rural stories gಌetting “hacked mer­cilessly𒁏” and used as “fillers”, or even “killed” at the editing tab­le. “I had so many leads on excl­usive stories on problems experienced by farmers, Dalits and tribals, which were never given a proper response by the management.”

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Vlogger’s day out Shyam Mohan shooting different vignettes for his YouTube channel

Mohan began doing freelance projects, reports, documentaries and case studies for gras­s­roots’ agencies and NGOs, for which he had to travel to remote areas and interact with tribals. Still dissatisfied by their representation in mainstream media, he launched ruralmedia.in in 2015. How­e­ver, freelance gigs ate into his resolve to con­siste­ntly create and upload videos, till the pan­demic hit and all assignments dried up. In these two Covid-riddled years, he focused single-­mindedly on Rural Media, and used the time to edit old foo­tage and shoot new videos. “I visited over 120 tri­bal villages in Telangana and Andhra that have no electricity or schools, potable water, medical faci­lities, roads, etc. People there have no clue what a Rs 500 note looks like. These are pla­ces where no media has ever gone.” Today, the cha­nnel has 224 video uploads with a subscriber-­base nearing the 25k markꦑ, and some videos crossing 3 lakh views.

Not only is the sizeable population of Dalits, Got­te Koya and Gondu tribes in Bhadra Kotha­g­u­dem and Adilabad districts w𝓀ary of outsiders, the terrain they live in is inaccessible and tricky. How­­ever, his years of forging connections with NGOs working in these areas has smo­othened his travels. “Tribal villages do not have proper roads. Even after travelling for 2-3 hours from my home by car, I might have to continue another 4-5 km on foot to reach a village. In the rains, sometimes waist-deep canals have to be crossed. The food is different. In forests of Bha­d­rachalam, tribes folk eat steamed rice with ants. And they don’t trust newcomers from the city. So we would stay with them for 2-3 days, share meals, ask theꦺm about their lives to build trust. Gradually, they would open up and provide us insights into their lives.”

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Vlogger’s day out Shyam Mohan shooting different vignettes for his YouTube channel

Mohan’s interest in farming methods stems from fond memories of his childhood, spent in a village working alongside his mother in her paddy field. “Farmers have the power to cultivate any type of soil. The government must buy their crops at a minimum price and on time, and des­ign policies that aid the cultivation of rare, indigenous crops and forest produce for new, value­­added products, thereby increasing empl­o­yment opportunities. For instance, tribals in East Godavari District make mahua oil, which is a great remedy for knee pain. My vlog on this, currently being edited, sho­ws the making process. The people making this oil make very little p🀅rofit, and could do with a little government backing.”  

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Vlogger’s day out Shyam Mohan shooting different vignettes for his YouTube channel

Depending on the need, he either♏ hires a cameraman for Rs 5K a day, or a Nikon D500 or Sony Alpha a7 camera, or just records videos on his Sam­sung Galaxy S21 mobile phone. For videos that don’t need much editing, he turns to Kine­Master, a mobile app, but for footage that is len­g­thy or has too much background noise, he avails of professional editing services that range between Rs 1-3K. The video is then edited, subtitles added and finally uploaded; a process that takes 1-2 weeks in total. His daughter Poornima, a B.Tech, and son Nirmal, who is in college, help with editing videos in the­ir spare time. “On days my father is not in the field, he sits in front of the computer from 7am, when he wakes up, till 11pm, his bed time—editin♌g, writing, researching on these rural issues and achievements… I’m very proud of him,” says Poornima.

Care is taken to keep the focus on the protagon­i­st(s) and their story, with Mohan making a rare app­earance only when it is unavoidable.

Care is taken to keep the focus on the protagon­i­st(s) and their story, and so Mohan makes a rare app­ear­a­nce only when it is unavoidable. All videos are in Telugu with Telugu subtitles, barring a few with English subtitles. However, Mohan “is alre­ady working” to make English subtitles for exi­s­t­ing and new videos, after many viewers—inc­luding Telugu parents wanting to share these videos with their children who cannot comprehend their mot­her tongue—requested for these. Given the popul­arity of the channel, viewers often write to Mohan nowadays, providing him with leads. Mon­etary returns are little, but showing signs of impr­ovement. Rural Media genera­tes Rs 15k onwards in monthly revenue for ads shown within the videos. It is why he continues to take up research projects for NGOs and does special feature stories for Andhra Jyothi, TALRadio, BBC Telugu and other regional media houses, which goes towards paying for the rented equipment or other services. Occas­ionally, his projects coincide with the work of NGOs, and travel꧂ expenses get reimbursed. His wife Malathi, a pri­v­ate tutor for Math, helps to supplement home expenses.

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Vlogger’s day out Shyam Mohan shooting different vignettes for his YouTube channel

Things are looking up. In 2017, he received the Ryth­u Nestham award for best rural journalist from Vice President M Venkaiah Naidu. After wat­c­h­ing a Rural Media video on lack of roads in the tribal Peddakonda village in Ra♌mpachoda­va­ram, an Integrated Tribal Development Agency proj­ect officer stepped up to help. In response to ano­ther video, showing a dearth of facil­it­ies in tribal villa­ges near Bhadrachalam, the Telan­g­ana State Hum­an Rights Commission issued a notice to the government. Netizens are lauding him in the comments section for recent videos on farm labourers in Bazarhatnoor of Adilabad distr­ict, who devised ‘motorbike-plough’—a free-of-cost solution for weeding land; and on a self-watering plant box, made by a Rahul from Hydera­bad, which needs refilling just once a month.   

One of his upcoming videos is about a carpenter in Andhra who builds teakwood treadmills that run without electricity—costing between Rs 15-20k­—less than half of comparable models in the market. He is also working on a “problem-­solving measure” to teach tribal youth how to edit videos, “…so they can start their own YouTube channels and be their own voice”. “Rural Media✤ focuses not only on problems of tribals and Dalits, but also on their progress and productivity in using local resou­r­ces. This vlog is my goal to make the government and the world listen to those who do not ﷽know how to wri­te or speak in the language of power,” says Mohan.

(This a꧋ppeared in the print edition as "Arcadian Voice")

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