Director Jayant Digambar Somalkar's debut Marathi film 'Sthal' (A Match) won the top Asian award on Sunday at the Toronto International Film Festival for its sheer raw power.
Director Jayant Digambar Somalkar's debut Marathi film 'Sthal' (A Match) won the top Asian award on Sunday at the Toronto International Film Festival for its sheer raw power.
Director Jayant Digambar Somalkar's debut Marathi film 'Sthal' (A Match) won the top Asian award on Sunday at the Toronto International Film Festival for its sheer raw power.
šThe film is the story of the fight of a young woman agašinst the oppressive patriarchy which forces its decisions on her life.Ā
Dedicating the NETPAC (Network for the Promotion of Asia Pacific Cinema) award to āall the brave women of the world who chź¦allenge their adverse circumstances,ā Somalkar said this film is also very personal to him āas it was shot in my hš¹ometown where I was born.ā
Meenakshi Shedde, who as TIFFās Senior Programme Advisor ź¦for South Asia, was instrumental in bringing the film to this festival, said: āI am absolutely delighted with the NETPAC Award goiš«ng to Sthal (A Match).ā
She said, āIt is a raw and powerful film about women who are paradedš„ before potential suitors to arrange their marriagesā. Itās extremely humiliating for them as they are treated like slaves or products. They are assessed forā¦what is your name, what is your height, what is your education, can you cook, can you farm ā¦ and no question is ever asked of the boys. This process of leading to marriage (hopefully) is so humiliating and devastating for the girlsā families ā both financially and psychologically.ā
Shedde said the award for this film at the worldās premier film festival also assumes significance as the film subtly highlights the deep economic distress in theš so-called farmersā suicide belt of the Vidharbha region of Maharashtra.
āThis film is the directorās biographical story as he shot it in his house and own village of Dongargaon in theā¤ cotton belt which is also tragically called the farmersā suicide belt in the Vidharbha region. So he is also addressing the deeper socio-economic issues in which he places the context of this extremely powerful film.šā
She added, āThe minute I šsaw the film I think one of the things that attractedš · me terribly was that it has a raw and wonderful authentic energy which is very distinct from other kinds of film-making where the original voice may be lost or over-polished. But A Match has that raw and original power.ā